Lucas Krech’s impressive lighting designs … are perfectly realized creations that are as much a part of the dance as the exchanges between Levy and Aline. Both lighting and score provide both staging and directional movement. —CultureVulture.net
Dance is arguably the most poetic of theatrical forms. The human body, in the dance, is seen in a pure and elemental form. She is a kinesthetic object moving through space.
Approaching dance means first understanding the nature of movement. Lighting for dance can be as primary an element as music. Light becomes scenery, guiding us through various physical and emotional terrains.
Lighting the dance begins with the body in space and moves out from there. We see, in movement, the emotional center of the human experience. The heart and soul in motion.
As the dance progresses, the lighting transforms from architectural element, to emotional landscape, to resonant chamber against which the movement reverberates.
Lucas Krech’s impressive lighting designs … are perfectly realized creations that are as much a part of the dance as the exchanges between Levy and Aline. Both lighting and score provide both staging and directional movement. —CultureVulture.net