I remember an exercise in my World History class freshmen year of High School. We were studying the Industrial Revolution and did a sort of game to understand the rapid rise in urban population which occurred in tandem with industrialization. Each student was given a piece of paper with a xeroxed hand drawn map of “London” on graph paper with a grid. Houses were one square, tenements 3×3, factories 5×5 and so on. The teacher would then say “Draw three houses” and we would outline three squares. Pretty soon the pace and scale of the requests got to be at the limit of our ability to draw. Needless to say everyone’s paper lost whatever semblance of order it had when they started. The lesson was that the rate of growth outpaced the ability to do any orderly urban planning.
This same problem, it seems, has plagued the manufacturers of lighting color media for the last several decades. The demand for new and increasingly precise color media has caused the companies to produce new and varied Gels at an alarming rate. Lee Filters, one of my favorites, solved their jumbled industrial revolution by switching from the Numeric Edition swatch book to the Designers Edition almost a decade ago.
The reasoning, which I fully understand, runs something like this: the colors in numeric order are such a jumble of red to blue to bastard amber to yellow to red to blue that it can be difficult to make sense of by browsing. Putting the items in numeric order places “Special Lavender” next to “Pale Green.” In an attempt to make the process more user friendly they devised the Designers Edition.
The Designers Edition solves the jumble problem by placing the colors along a chromatic scale. The reds gently flow into the ambers then to yellow then green, blue and finally into lavender and purple. It places L106 right next to L182 allowing for good comparisons.
Unfortunately this system is less than ideal for two reasons. The first is that I remember colors by number and not name. And my memory is imperfect. If I am under a tight schedule for a plot, sifting through the Designers Edition to confirm that it is L137 and not L138 that I want in my Box Booms takes too much time. The second reason, related to the first, is dealing with House Plots. When I get a hookup from a venue I just want to quickly find the numbers and see what the color is. I don’t want to cross reference a numeric listing to find the page the gel is on, sift through the book, and then double check that my conversion is right. I just want to look up the number.
The other week I was working on a plot. I was using my old and very beat up Numeric Edition swatch book which has many colors cut out for samples and tests or old scroller magic sheets and while it was in numeric order, it was more rundown than a derelict 19th century factory town. Being saddened by my inability to procure an up to date Numeric Edition swatch book for the better part of a decade I bemoaned my fate on Twitter and was quickly responded to by LeeFilters.
Less than a week later a small package arrived in the mail. Lee Filters has begun producing their Numeric Edition once again. Oh the joy! The rapture! The sheer ecstasy of this momentous event will cause the heavens to tremble.
The return of the Numeric Edition swatch book from Lee FIlters is a thing of beauty akin to the complete restoration of a beautiful old 19th Century Iron and Brick factory building. Now, as I write this, with swatch book laying beside me in the sunlight I feel a calm wash across me. The universe has come back into alignment. The imperfect beauty of the Lee swatch book has been returned to its Original form. Allowed to stand proud knowing that the colors contained therein are so strong and powerful they do not need the precise ordering of a chromatic scale.

