Posts Tagged ‘nytb’

Upgrade

Sunday, January 21st, 2007

I recently installed Camino on my computer and have been using it as my main browser for a couple of days. While it does not have all the supercool extensions of Firefox, it is a hell of a lot faster. So my time on teh intrawubs has been sped up tremendously.

One of the extensions it does not have is rss integration. I had been using Sage for Firefox, which is a very nice feed aggregator. As a result I opened a Bloglines account and easily imported all my Sage feeds. Overall the transition has been very smooth indeed. Although I do sorely miss my ‘undo close tab’ extension. Oh well!

Tomorrow is the lighting load-in for Last Word. The scenery went in today I am told and as there have been no frantic emails, I assume all is well. There was a small change to the scenery this morning. Nothing big, just a slight adjustment to the rotation of the walls. So the electricians are loading in the lighting and then we focus on Tuesday and begin the technical rehearsals that evening.

The run through the other day went very well. Travanti brings an amazing energy to the room. He is also at least as much of a coffee snob as I am so we had a great time discussing beans and brews around New York. I felt it my duty to help the out of town coffee connoisseur traverse the generally bleak landscape that is New York coffee.

This afternoon I saw a run of the first act of Artfuckers. It is looking good. Eduardo and I had a nice chat about the design of the piece. Because the play is set in the new York Art and Fashion scene, we are going to utilize an fashion photography aesthetic/vocabulary to light the piece. Fashion photography is one of my loves and there is such a wide range of styles and aesthetics within it, that to say “fashion photography” does not really narrow it down at all. What it means in this instance is using certain lights that are specific to the fashion/portrait photography world, like softlights and umbrellas. These we will combine with standard theatrical lights to create a lighting vocabulary for the piece.

It is interesting that a lot of fashion photography these days is highly theatrical. Not only does the lighting and styling create dramatic scenes, but the layouts ore often such that a whole story is told like fairy tales or Film Noir or something more abstract. Since there is already so much crossover into theatrical lighting the translation is rather simple.

And in the when it rains it pours department, I load-in and tech Mother GOOSE! at the end of the week and it runs through the weekend. Good grief!

Familiar Faces

Thursday, January 18th, 2007

The run through for The Last Word had to be rescheduled for today. I am about to head out to go see it. From a lighting perspective it is rather straight forward. A naturalistic office interior. There is of course a balance between the naturalism of the text and the theatricality of the comedy that must be achieved, but there are no major technical challenges to the play.

There are many familiar faces on this show. I have worked with the director two times before. I worked with the stage manager on Sake with the Haiku Geisha and the set designer on Cupid and Psyche. The costume designer I have also worked with once before.

It is a very nice feeling to be around a familiar group of people when working on a project. It makes the whole process a lot easier. Working with a new group of collaborators is like going on a blind date. You are stuck with them for some predetermined period of time and you have no idea how anything will turn out. Further, you spend so much time discovering each others vocabulary that you can not get as deep into the work itself. But all of that goes away once you have worked together a few times. It becomes easier and faster to get deeper into the work, and there is a richness that can come out of the process that does not exist in first time collaborations, except perhaps in that rare instance.

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I sent out the paperwork for Mother GOOSE! last night. Like Nutcracker, this is a fantastic kids show. It runs only next weekend.

So I load-in and tech GOOSE! with New York Theatre Ballet between the technical rehearsals for Last Word. It’s a little nutty. The time scale for dance is so different than that of an Off-Broadway play. The one has eight hours total to load-in and tech the show and do a dress rehearsal before the first performance the next morning. Last Word on the other hand has a week of Load-in and technical rehearsals before we go into almost two weeks of previews.

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I like this post about aesthetic needs in the theatre. I don’ t think it is so much an issue as she makes it out to be. If you need something in a play the answer is simple, “Yes I need that.” Do you really need that specific color or this exact piece of furniture? Well, yes. Actually I do. How can you ask someone to contribute as an artist and then not give them the tools needed to do what it is you asked them for in the first place?

Some of this comes from an unwillingness to expend money to really make a play all that it can be. That can lead to the idea that paying people is a novelty. It seems absurd to me that either of these issues are really of concern.

Of course people should be paid for their work. When one makes a commitment to produce a work of theatre the artistic and aesthetic needs of the artists involved need to be taken into account. So too does the need to eat. Poverty can make great drama, but it does not eliminate the need for food and shelter.

I’m going to Florida

Wednesday, January 3rd, 2007

I’ve never been to Florida before. I think this will be fun. Sun and beaches in February. It’s not a vacation. I’ll be working. The New York Theatre Ballet is doing a set of shows here. I love visiting new cities, and at that time of the year, I have a feeling that part of the country will be very welcome.

The first reading of Last Word was yesterday. I had to miss it as I have injured my back and was not in any condition to ride on the subway. I am fortunate to have been able to stay home yesterday and today to recuperate. It still hurts, but I am feeling better. Its too bad I really like the play and was looking forward to the reading. But when walking is difficult, running around Manhattan is really not much of an option.

Tomorrow I have a meeting at Theatre for a New City with the producer and Scenic designer of Artfuckers to look over the space and get a sense of what is going. This show should be a lot of fun to work on. Eduardo as great and I have worked with both the Costume designer, Oana Botez-Ban and the Sound Designer, David Lawson before and they are fun to be around. I’ve never worked with the set designer before, but she seems pleasant enough.

I am finding that “fun to work with” is quickly becoming my main criteria for working on shows. I mean the money is important and so is the art. Obviously without a love for the art there is no reason to be here in the first place. But this work is so stressful and filled with absurdity on a good day, that if you are not enjoying the people you are with or the work you are doing there is little point to it.

I would love to theorize and wax poetic on matters of aesthetics, but I am in a fair degree of pain right now, so it will have to wait for another day.

Nutcracker Opens Today

Friday, December 1st, 2006

The Nutcracker opens tomorrow, Saturday morning. It’s a fantastic kids show and if you have the little ones I would highly recommend it. Matthew Broderick and SJP bring their little one to see it, and so should you.

Ticket information available here.

Changement de style changement de theme, changement de rime, calme, saine et sereine

Monday, November 20th, 2006

A busy day, and I need a break. I have three lightplots I am working on today. One is for a Nutcracker, one is a full evening dance piece I am lighting up at Williams College and the other is an opera plot. Both of the dance shows use repertory light plots, so getting the paperwork in order is a matter of adapting the existing plots to what I need, rather than conceiving the whole thing myself.

I have done the Nutcracker before, so it is fairly easy. The venue has made a few changes to their repertory plot so I have some adjustments to make, but all in all it is quite simple. The other dance plot is very extensive, designed by my friend Matthew Adelson, and will be quite simple to adapt despite the complexity of this multi-scene, multi-set full length work.

The opera plot is just a matter of prep work today. I have to the end of the week to finish it. It is a remount of a previously produced work, so while more than a simple “cut and paste” it is only translating the plot to a new venue. Not a big deal. I have done quite a lot of this kind of thing, translating a plot from one space to another. It is generally easy going work as this one looks to be. Some architectural oddities might change things a bit, but I don’t foresee any big problems.

. . .

I am finding myself dissatisfied with the writing style on this blog. I do not wish to change blogs and screen names as I have in the past. I think it is more useful to me to transform this identity. Some of my issue is that I feel the writing takes on a self centered and pretentious tone that I am uninterested in. It is something that is largely a function of the written word, so I my well be scaling back on the volume of my writing.

Another and perhaps more fundamental issue is that I feel the need personally to focus more on intake rather than output. Or, to be more precise, I wish to focus my output more directly and completely on my artistic work, leaving this space as perhaps more of a catalogue. We shall see where it leads, but a change is much in need.

. . .

I had two very pleasant theatre experiences this past weekend. On Saturday I saw Rumania Kiss me!. The costumes were done by my good friend Oana Botez-Ban. A truly fantastic costume designer. We have worked together quite a few times and it is always a pleasure. She brings a wonderful wit to her costuming. Her work can be highly abstract yet deeply grounded in the dramaturgical needs of the text. Truly one of my favorite designers to work with.

The other show was Temptation directed by Ian Hill. Lia and I went to go see it Sunday and had a wonderful time. The play was wonderfully conceived. The actors were fantastic and the scenery intersected with the text in a way that it felt almost out of place until the final moment of revelation when it all came together. Fantastic work, I must say.

Ballet this weekend

Tuesday, April 25th, 2006

I am lighting a double bill for the New York Theatre Ballet this weekend. Cinderella for the Kiddies in the Morning and a series of dances by Agnes DeMille for the parents and other adults in the evening. If you have children this is a great show for them. Sarah Jessica Parker brings her kid to these, and anything that is good enough for a celebrity’s child is good enough for yours.


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