Posts Tagged ‘birthday’

Happy Birthday Jean Rosenthal!

Tuesday, March 16th, 2010

American lighting designer Jean Rosenthal was born 16 March, 1912. Her work with the Martha Graham company and many other dance companies revolutionized the world of stage lighting through the introduction of standard booms in each wing for dance lighting. In short, contemporary American lighting design would not be what it is today without her innovations and ideas introduced into common use by designers around the globe.

Once called “a bloody electrician with notions” she was influential in raising the status of lighting to a central design element on par with scenery and costumes. While she did not do it alone, the development of the by line for “Lighting Designer” was made a reality in large part because of her work.

Access to some of her original paperwork is now freely available at The Lighting Archive.

Happy Birthday Ms. Rosenthal

Happy Birthday Jean Rosenthal!

Monday, March 16th, 2009

Jean Rosenthal was an American lighting designer known for her innovative work in the field of Dance lighting in particular, althoughher career spanned Broadway and High Opera as well. Her autobiographical The Magic of Light is considered by many to be the seminal lighting design text book.

Happy Birthday Jean Rosenthal

Sunday, March 16th, 2008

Jean Rossenthal was an American lighting designer who pioneered radical changes in dance lighting primarily and other genres of performance as well. She was principal lighting designer for Martha Graham as well as ABT and other major companies.

Her work and writings still influence designers and students to this day. Her book The Magic of Light is considered a classic among lighting design texts.

A Very Happy Birthday

Saturday, March 17th, 2007

Eleven hours straight of tech is a lot to handle on a birthday, but I have to say getting to light some dance was a nice present. Yesterday went very well. We loaded in, focused and got the show cued by 3pm for a run through. A long exhausting day but very satisfying.

While I was just in Florida it feels like I have not lit any dance in a while. I am quite pleased with the result. I think there is some very nice stuff going on on stage from a lighting perspective. The pieces are very different from the company look I have grown accustomed to, it is much more in an aesthetic direction that I enjoy working in, so the lighting was a pleasure to do. It felt like a birthday gift, even though it was simply a pleasant coincidence.

After I got out of the theatre I met my girlfriend for dinner. She took me to an amazing vegan restaurant called Blossom. This was seriously one of the best meals I have ever had. Not just one of the best vegan meals, but one of the best meals. Ever. Seriously. Amazing. Anyone with a passion for good food would do themselves a disservice by not eating here.

What truly surprised me was the dessert. I ordered the cheesecake. Now I love cheesecake, and while I am only vegetarian, not vegan, I still try to minimize my dairy intake, so cheesecake is not consumed that often. But, OH MY GOD. This was amazing. It was not just amazing as vegan cheesecake, it was amazing cheesecake.

Between lighting dance all day, a play opening and having such a wonderful meal last night it was sure a good day. I was off line all through the day while at the theatre and dinner, so I was able to come home to a pile of emails and a few MySpace messages saying happy birthday.

A very nice day.

Jean Rosenthal’s Birthday

Friday, March 16th, 2007

Jean Rosenthal was a pioneer of stage lighting. The contributions she made to lighting The Dance still form the foundation of most modern day dance lighting. It is difficult to imagine what lighting for dance or theatre would be today without her groundbreaking work.

Her book The Magic of Light serves as both autobiography and fundamental and invaluable textbook for lighting designers. Her conceptual approach to design work still resonates with a contemporary sensibility and can still provide a powerful model upon which to base one’s design work.

Changement de style changement de theme, changement de rime, calme, saine et sereine

Monday, November 20th, 2006

A busy day, and I need a break. I have three lightplots I am working on today. One is for a Nutcracker, one is a full evening dance piece I am lighting up at Williams College and the other is an opera plot. Both of the dance shows use repertory light plots, so getting the paperwork in order is a matter of adapting the existing plots to what I need, rather than conceiving the whole thing myself.

I have done the Nutcracker before, so it is fairly easy. The venue has made a few changes to their repertory plot so I have some adjustments to make, but all in all it is quite simple. The other dance plot is very extensive, designed by my friend Matthew Adelson, and will be quite simple to adapt despite the complexity of this multi-scene, multi-set full length work.

The opera plot is just a matter of prep work today. I have to the end of the week to finish it. It is a remount of a previously produced work, so while more than a simple “cut and paste” it is only translating the plot to a new venue. Not a big deal. I have done quite a lot of this kind of thing, translating a plot from one space to another. It is generally easy going work as this one looks to be. Some architectural oddities might change things a bit, but I don’t foresee any big problems.

. . .

I am finding myself dissatisfied with the writing style on this blog. I do not wish to change blogs and screen names as I have in the past. I think it is more useful to me to transform this identity. Some of my issue is that I feel the writing takes on a self centered and pretentious tone that I am uninterested in. It is something that is largely a function of the written word, so I my well be scaling back on the volume of my writing.

Another and perhaps more fundamental issue is that I feel the need personally to focus more on intake rather than output. Or, to be more precise, I wish to focus my output more directly and completely on my artistic work, leaving this space as perhaps more of a catalogue. We shall see where it leads, but a change is much in need.

. . .

I had two very pleasant theatre experiences this past weekend. On Saturday I saw Rumania Kiss me!. The costumes were done by my good friend Oana Botez-Ban. A truly fantastic costume designer. We have worked together quite a few times and it is always a pleasure. She brings a wonderful wit to her costuming. Her work can be highly abstract yet deeply grounded in the dramaturgical needs of the text. Truly one of my favorite designers to work with.

The other show was Temptation directed by Ian Hill. Lia and I went to go see it Sunday and had a wonderful time. The play was wonderfully conceived. The actors were fantastic and the scenery intersected with the text in a way that it felt almost out of place until the final moment of revelation when it all came together. Fantastic work, I must say.

Happy Birthday

Wednesday, October 25th, 2006

Today is my dad‘s birthday. These are some of his poems.

. . .

What I Did On My Summer Vacation
I have accomplished several remarkable
feats in poetry, I thought,
after coming off a 25-year line break.

I wrote a poem about the vibrate mode
of a cell phone;
another about Valerie Solanis
and Enver Hoxha.

I saw old friends and made new ones.
I found out that my spelling
has improved.

. . .

The Bodhisattva of the Public Defenders Office
the advocate strides into the hell-worlds of the steel bars,
of the squeezing tongues and hungry ghosts.
battles enslavers, judges, addictions and monsters

in this dharma one is armed not with a sword
but a word; a mindful & concentrated intellect connected thereto.
the practice has the chance to gain freedom
to diminish suffering

this right livelihood
surely is on the path to liberation

. . .

Ecological Hegemony
The morning glory
would take over the world if you let it,
she said

I failed to see
any downside
to that proposition
& resolved not to stand
in its way.

. . .

Hand to Hand Combat
It comes down to things
you can hold in your hand.
Your head, for example
or the objects you encounter
in your daily routines.

“You should know that concept
like a room you know
with its furniture
& be comfortable with it” she said.

Making things personal
so we can pick them up
understand them and move our lives
in the direction of progress we want.

Using objects to get beyond them,
the constancy of change & movement
the only fixed star.

The horizon approaching.

Birthdays

Thursday, March 16th, 2006

In a post a few days ago Josh Costello talks about Richard Burton’sHamlet. A production lit by Jean Rosenthal, whose Birthday we should all be grateful to celebrate today. Jean Rosenthal has been called everything from a “bloody electrician with notions” to the first Lighting Designer.

She was a pioneer in taking lighting out of the hands of electricians and scenic designers and bringing it into its own unique and separate discipline. Born in New York City on March 16th 1912. Educated at the Ethical Culture School and later, at the Neighborhood Playhouse School of Theatre. After that she went on to Yale University to study with Stanley McCandless and others.

Her career spanned Theatre, Dance and Opera as well as architectural consulting. She has influenced countless lighting designers directly or indirectly. Her book The Magic of Light is a wonderful read for anyone interested in Theatre, Lighting or just a well written biography.

My undergraduate training had a big focus on her style and approach. David Elliot who teaches lighting at Berkeley is a ‘descendent’ of hers through his work at ABT. In graduate school I reconstructed the lighting for Martha Graham’s Celebration. Originally lit by Jean Rosenthal, the lighting had been reconstructed earlier by the lighting designer Beverly Emmons. Chains in time linking past and present.

A quote from her that has been my email signature for years and is a constant reminder to me of the power and indeed magic of light:
“Dancers live in light as fish live in water.”


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