Posts Tagged ‘bio’

Artist Statement

Saturday, June 23rd, 2007

I have seen recently a lot of “artists statements” and so forth and while this blog serves as a kind of continual refining of that, I thought I would give the formal writing of one a shot. So here is my attempt.

In design my interest is in the intersection of time and form as an existential question. What does it mean to be seen in a particular light? How does our self-perception change as the given circumstances around us also change. Light, being so mutable an element as it is, affords these questionsa depth and breadth of response within any given stage work be it Opera, Dance or Theatre.

My love of philosophy, literature, poetry, music and dance have mixed well with my love of light. Light for me is a visual framing device that presents a given situation as a kind of hypothetical, a ‘what if’ and asks the viewer to look closely at both the situation in question and within themselves to find a deeper understanding of life’s mysteries.

Theatre, by which I mean all live performance, is the perfect means of exploring these ideas. The collaborative nature of performance forces its participants to ask questions rather than provide answers. One must listen both to the other people in the room as well as the larger work itself to discover what it is trying to say.

Any thoughts?

I am very curious for feedback as writing these sorts of things feels a little strange to me. To be perfectly honest this whole blog thing is beginning to feel increasingly strange to me. I feel that it makes permanant ideas and propositions that I always set forth as hypotheticals. I see the words contained herein as working theses to be used until they are found to be untrue or no longer useful. Of course until such time as that is the case it makes sense to treat these illusions as true and necessary.

Dance Bio

Wednesday, May 2nd, 2007

I had to submit my dance bio today to a company I have worked with in the past for their website upgrade. Since I have it out I figured I would post it here.

Lucas Benjaminh Krech (Lighting Designer)
Dance Collaborations include the work of choreographers Nicolo Fonte, Sean Curran, Johannes Weiland, Gemze De Lappe, Donald Mahler, Sallie Wilson, Paul Sutherland, Trebien Pollard, Anandha Ray, Elizabeth Riga and Keith Michael. For New York Theatre Ballet he has lit the world premiers of A. de Mille Celebration, Legends of Love and Mother GOOSE! as well as reconstructions of The Nutcracker, Cinderella, The Firebird, He Loves/She Loves and others. Other companies whose work he has designed include Moving Arts Dance, Johannes Weiland Company, Trebien Pollard Company and Refractions Dance Collective. He was the resident lighting designer for the Tisch dance department for two years lighting over one hundred dances in that time. Theatre work includes collaborations with directors Eduardo Machado, Josh Costello, Alex Lippard, Gisela Cardenas, Shoshona Currier, Marci Arlin, Drew Barr, Roy Rallo, Victor Maog and many others. Lucas has also done numerous site specific performance works and installations including The Seven Deadly Sins: A Fire Opera (Oakland, CA); Medea (San Juan, PR); and Foucault’s Pendulum (Nevada Desert). MFA from New York University. Website: www.LucasKrech.com.

Narcissism – My current Bio as it appears in programs

Friday, December 15th, 2006

These things are so impersonal, but what can you do when you only have around one hundred words to explain who you are?

Lucas Benjaminh Krech – Lighting Designer
New York: Sake with the Haiku Geisha and Becoming Adele (Gotham Stage Company); Windows (INTAR); Hitting the Wall (SPF); Cupid and Psyche (Themantics Group, IT Award Nomination); Heliantha (PS 122); Unlucky Man in the Yellow Cap (Harry Du Jur); Fourth World (Ontological/Hysteric). Regional: House of Lucky (The Magic); Young Zombies in Love (Emerald Rain Productions); and numerous productions with Impact Theatre. Site specific: The Seven Deadly Sins: A Fire Opera (Oakland, CA); Medea (San Juan, PR); and Foucault’s Pendulum (Nevada Desert). Dance: A. DeMille Celebration (NYTB), Force/Quit (Niccolo Fonte); More Eather, Extra Instinct (Sean Curran); Mother Goose! (Keith Michaels); and Blueprint (Johannes Wieland). MFA from New York University. Website: www.LucasKrech.com

I am thinking of changing the theatre section to include director names rather than producing organizations. Is that more interesting?

Lucas Benjaminh Krech – Lighting Designer
New York: Sake with the Haiku Geisha(Dir, Alex Lippard), Becoming Adele (Dir, Victor Maog); Windows (Dir, Sylvia Bofill); Hitting the Wall (Dir, Drew Barr); Cupid and Psyche (Alex Lippard, IT Award Nomination); Heliantha (Rachel Schroeder); Unlucky Man in the Yellow Cap (Dir, Marcy Arlin); Fourth World (Dir, Oana Botez-Ban). Regional: House of Lucky (Dir, Josh Costello); Young Zombies in Love (Dir, Curtis Elfenbein); and numerous productions with Impact Theatre. Site specific: The Seven Deadly Sins: A Fire Opera (Dir, Roy Rallo; Oakland, CA); Medea (Dir, Isabel Ramos; San Juan, PR); and Foucault’s Pendulum (Nevada Desert). Dance: A. DeMille Celebration (NYTB), Force/Quit (Niccolo Fonte); More Eather, Extra Instinct (Sean Curran); Mother Goose! (Keith Michaels); and Blueprint (Johannes Wieland). MFA from New York University. Website: www.LucasKrech.com

I’m not sure which I like better. Perhaps there is a better option, a list of shows and then producing organizations and then directors perhaps. It seems that regional work tends to be listed by producing organization so then a hybrid of these two listing director for New York work and producing organization for regional/site specific work. Perhaps.


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