Posts Tagged ‘berkeley rep’

Familiar Focus

Tuesday, March 20th, 2007

Focus at the Workshop went smoothly yesterday and we finished well ahead of schedule. It reminded me a lot of when I worked at the Berkeley Repertory Theatre. Well staffed and funded production departments with a dozen or so electricians all very competent.

John is very pleasant so I have a feeling it will be quite an enjoyable experience. The lighting designer, Mark Barton, is a friend of mine from NYU and it has been great getting a chance to hang out and catch up on breaks between work. We have not seen each other since last summer and before that I think it was a holiday party the season before.

The atmosphere at the Workshop is very pleasant. I am sure that, as with any organization, it has its bizarre political situations, but so far it seems to be kept to a minimum. The cafe next door is very nice and the woman who runs it is very engaged with the goings on at the theater. Again, it is an interesting parallel to Berkeley where the Capoeira Cafe, right across from the Rep, was unofficially part of the larger theater “family.”

This show has an interesting feel to it to me. Most of the details are new, yet the overall feeling os one of striking familiarity. It all feels right somehow. Its a difficult sense to explain. As for the individuals, I have never worked with any of them, except for Mark in graduate school, yet there is a kind of familiarity. I have not worked at this particular theatre, and yet it feels very familiar. It is like an evolution of something known and I must say, I rather enjoy it.

Give or Take a few

Saturday, August 19th, 2006

I am convinced that there are only 400-500 people in the theatre and I know 250 of them.

I had a meeting at INTAR yesterday morning for a play I am lighting in October called Windows. The meeting went fine. I have worked with the costume designer before on several projects and I know the scenic designer from graduate school although we have not yet worked on a project together. Everyone else was new to me. Sort of.

The Artistic Associate it seems was familiar with my name from when she was an intern at The Berkeley Repertory Theatre. She was there the year after me and lived in my old apartment. BRT, if anyone is interested, has a fantastic intern program that includes among other things . . . FREE HOUSING.

Anyhow, that was funny and we checked in on the various people we knew in common and so on and so forth. The director, who I have never worked with before, also had an odd connection with me. It seems she knew the director of the Medea that I lit last August. She was in San Juan when it was playing but never got to see the show as it was sold out before she could get tickets.

These kind of connections are too common to get surprised by them. My director for The Children was an actor in one of the plays we did at BRT that year as well. They just keep happening. Even if my initial estimate is off by a few hundred, the idea behind it still holds. [insert winky face]

Two nights ago I went out to a cafe with some friends and met a director there. We chatted for a bit and it turns out he was assisting James Robinson on a show in Colorado the same time I was assisting Heather Carson on a show of James’ at San Francisco Opera.

Blah, blah, blah.

I am sure this is of interest to no one but me and contains more gratuitous name dropping than any blog post today. But still, I find these moments to be endlessly enjoyable. When an otherwise total stranger comes out of hiding, as it were and turns into someone else orbiting within my circle it makes me happy.

Windows looks to be an interesting project. But I have three more plays to light between now and then, in addition to the two plays I have up currently at the Fringe, and I am sure many more funny little connections to make.


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