Much in this production is elegantly and effectively done. There’s costume designer Erin Murphy’s navy blue power suits and pearls for Donna, Liliah’s come hither silk kimono and Brock’s studied slacker sloppiness. Robin Vest’s scenic design features a wall full of photographic portraits and lightboxes that alternatively create Lilah’s apartment, a New York nocturnal cityscape and a seat on the redeye ready for takeoff. Atmospheric music and original compositions are provided by Robert Kaplowitz and Benjamin Krech’s lighting alternates between cool polar blues for encroaching frigidity and warmer romantic tones that soften the hard edges and crows feet.
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