The production values are also first-class, thanks to the work of Robin Vest (scenic design), Lucas Benjamin Krech (lighting), Robert Kaplowitz (sound design/original compositions), Erin Elizabeth Murphy (costumes), and luckydave (projection design). In one of the most arresting special effects I’ve ever seen on stage, the actors’ scrolling lines of dialogue are visible through the picture frames in Lilah’s apartment at key points in the play. There’s also a neat lighting/sound effect whenever Susan is beset by a phalanx of photographers.Fate’s Imagination has its writing flaws, but the author couldn’t ask for a better presentation.
Tags: fates imagination, gsc, reviews
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